Progeny (poem for a puppet)

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Progeny

“Thine eyes did see mine unfinished substance …”

(Psalms 139:16)

 

In a miniature bed you lie, handkerchief for a blanket,

head so light it makes no indent in your tiny pillow.

 

Assemblage of wire and clay, glass and graphite, you are

an outpouring of love, the closest I have to progeny.

 

Dry slit of mouth, pained and vivid as a cold sore,

expression caught between startle and melancholy.

 

I dreamt once that you came to life, and ran from me.

I called you – but could not find your name.

 

At the bottom of my grandparent’s garden, I found you

in the shadows beyond the woodshed where,

 

a lifetime ago, I had loitered, morose beneath plum trees,

the summer my cousin died. Little doll, you were radiant.

 

Inside your hollow head, a ripening;

glass eyes gleaming, your tombstone pallor thawing.

 

Tell me your name.

 

Leaning in, you whispered a name so plain and small

I could not bring myself to repeat it.

 

But to be a mother is to accept the ways

in which our children fail to shine.

 

So I said your name and colour rose in your cheeks,

brittle fingers flexed and you moved towards me,

 

teeth chattering, stick-thin arms

winding tight around my pulsing neck.

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Re-emerging

It’s been a long while since I’ve posted anything here – life has hurled some challenges my way in the past 3 years and subsequently theatre making has taken a back seat, but recently I have begun to make work again.

A new piece “Each Map of Scars” is currently in progress and will be featuring at a theatre festival early in 2017. A collaboration with poet Andy Jackson, the piece will build on our previous work Ambiguous Mirrors. Based on a triptych of three poems we will also be joining with videographer/animator Leonie Van Eyk.

Here the blurb for our forthcoming show:

you are disabled

            whether you admit it or not

            did you know that?

(from ‘Unfinished’, Andy Jackson)

What happens when we encounter bodies that are different? What is it like to inhabit one? With great tenderness and power, “Each Map of Scars” probes essential yet rarely asked questions of bodily identity. Based on a triptych of poems, Each Map of Scars probes issues of unusual embodiment from different perspectives.

This moving and thought-provoking triptych of short performance works brings audiences into an intimate encounter with bodily diversity and human vulnerability using poetry, puppetry and projected image.

~

Below is the conjoined twin puppet I have been working on. It will be manipulated live on stage and also used to create a stop motion animation. Incidently, the puppets were entered into a sculpture exhibition recently and won a prize at the fabulous Spring Sculpture show at Lot19

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These puppets have been created in response to this poem which appeared in Andy’s 2010 collection ‘Among the Regulars’ :

Secessionist

 I feel a breath at my neck and wake. A dream
only a stranger’s brain could make jolts me back
into my body. Who else roams these bones?

 The morning sun cannot melt him away.
He throws back the sheets as I reach for the snooze,
my brain a dead leg he drags through the day.

 How much can physiology explain? He puts on clothes
I know don’t suit us, eats the food I can’t bear to taste,
loops memories I’d rather lose. I’m allergic

 to the pills he takes that make us well.
My thoughts fall from the tree he grows.
Once I spoke up – he slapped me, I punched him

 in the guts. It hurt us both. On the surface,
all is calm. Skin keeps us singular.
In the gym, in a mantra of movement and sweat,

 tense men furtively scan me for sutures,
questions crushed beneath their teeth. But every life
is a hive of many energies. And tonight, as he slips

 into sleep, a molecular frequency keeps me awake,
sharpening this knife.

~

In the meantime I will keep posting as the process develops.